‘Hold Me Close’ squanders its potential to explore the intersection of fate and personal choice, leaving audiences with surface-level concepts and underdeveloped characters.

‘The Kingdom’ never provides a satisfying answer to what the Philippines would be like if it was uncolonized. What we end up here is a film that inspires the imagination, but would rather settle for a world that is a mere reflection of our own.

‘Espantaho’ showcases a realistic terror that is ever-present in Philippine cinema: the melodramatic dread of familial complications. Though, that ends up being the scariest part of the film even when pit against a supernatural entity. 

Puso pa rin ng teatro ang tumitibok sa ‘Isang Himala.’ Sa kabila ng mga pagbabagong matapang nitong sinuong, nananatiling maingat, makatwiran, at makabuluhan ang muli nitong paglalathala ng kwento ng Cupang.

 ‘And the Breadwinner Is…’ is the typical family drama that Filipinos love. It has plenty of moments that will break your heart and build you back up.

‘Green Bones’ reminds us to never lose hope, even in the face of uncertainty, to strive to be good people, and to ultimately live a good life whenever we can.

‘Strange Frequencies: Taiwan Killer Hospital’ offers a new perspective to cater to the field of horror films with clever characterization tactics and technical modernization.

‘Uninvited’ delivers a high-stakes journey of vengeance, powered by stellar performances but falls short of fully exploring the complexities of its subject matter.

Arjo Atayde’s haunted, steely stoicism is an adequate anchor to hold ‘Topakk’ on. There are plenty of fist-pumping viscera to be found, but the film’s lack of grasp on its chaos hurts it more often than not.

‘My Future You’ plays with space and time but the love between its characters is no more than the cute moments in the film. The film is an entry to the 50th Metro Manila Film Festival.