FILM AND TV FEATURES
Pelikultura: The Calabarzon Film Festival redefines Southern Tagalog cinema through diverse and fearless stories from seasoned filmmakers to up-and-coming talents.
Taking the first episode of ‘Dune: Prophecy’ at face value, there is great potential to expand the Dune franchise to the small screen and develop its undeniably captivating universe.
In ‘Love in the Big City,' memory is more than just the past; it’s an active force that shapes the present.
For 16 years, the Pandayang Lino Brocka Film Festival has championed critical films that highlight the struggles of marginalized Filipinos. With Lupang Sinira as this year’s theme, the festival amplifies issues of land rights, labor exploitation, and environmental justice.
Invisible and often overlooked, Carlito Piedad’s work, as captured in Invisible Labor, goes beyond archiving the past—it is a powerful act of resistance, preserving the struggles of a people and safeguarding the truth, one rewind at a time.
After a two-year break, the Ngilngig Asian Fantastic Film Festival is back with a trove of fantastical stories from all over the regions and Asia.
Faraz Shariat’s No Hard Feelings captures the inherent uncertainty and vulnerability of both the coming of age and the immigrant experience in a simple, yet honest and emotional film
As the 12th edition of the Active Vista Human Rights Festival draws to a close, we imagine how cinema transforms art into resistance.
A Cebuano documentary about pottery, an absurdist Chavacano tale of animalism, and a Fil-Am filmmaker revising her script in the middle of production are some of the best shorts featured in the Binisaya Film Festival 2024.
FILM REVIEWS
‘Uninvited’ delivers a high-stakes journey of vengeance, powered by stellar performances but falls short of fully exploring the complexities of its subject matter.
Arjo Atayde’s haunted, steely stoicism is an adequate anchor to hold ‘Topakk’ on. There are plenty of fist-pumping viscera to be found, but the film’s lack of grasp on its chaos hurts it more often than not.
‘My Future You’ plays with space and time but the love between its characters is no more than the cute moments in the film. The film is an entry to the 50th Metro Manila Film Festival.
‘The Lord of the Rings: The War of the Rohirrim’ goes under the same pitfalls as the other prequels: insufficient characterization, reappearance of popular figures that serve little purpose, and overreliance on spectacle over character.
‘The Lion King’ prequel shows Mufasa’s rise to power. It successfully pays tribute to its precursor film and is unhindered by the live-action remake Disney trend fatigue.
Firmly planted in the lives of three Mumbai nurses in the lower-income part of the city, ‘All We Imagine as Light’ gently claims its place as one of the century’s most romantic films asserting that third world romances are worthy of the big screen.
‘Shahid’ is docu-fiction in feeble form, one that unfortunately limits itself to the prosaic presentations of symbols and signs, and so the film ends rather unfinished and unmoving, on a pulpit on its own.
‘Room in a Crowd’ utilizes what is essentially a collective scattering of fragmented thoughts and musings to deliver an incredibly ethereal experience.
Sabrina Carpenter’s Netflix Christmas special is filled with nice holiday performances featuring special guests, and naughty sketches — all decked with her witty, flirty double entendres.
TV REVIEWS
‘The Perfect Couple’ encapsulates all that we love about celebrity scandals, fueling our eagerness to know more about the case without actually caring for the people involved. Now streaming on Netflix.
For its third season, The Bear still makes room for fantastic television. But it’s clear-cut that it has experienced some errors in the kitchen for a string of episodes.
From Joko Anwar, the mastermind who turned Indonesian horror cinema on its head, comes ‘Nightmares and Daydreams’: a sci-fi series that will delight diehard followers and introduce new audiences to the mind of one of the most intriguing Asian filmmakers today.
Crawling out through the fallout of video game adaptations with much aplomb, Fallout sets its eyes on unexplored horizons, delivering a fresh perspective on the source material that genuinely surprises without losing the charm that made the games so iconic.
‘Avatar: The Last Airbender’ is a cinematic retelling of the original animated series that finally gives justice to the story that audiences grew up with. Now streaming on Netflix.
This television adaptation of Mr. and Mrs. Smith took the 2005 movie’s basic premise and elevated it to new and bold heights, creating an espionage-filled universe that is intriguing and compelling.
HALUHALO
Mad Child Productions’ ‘Nagkatuwaan Sa Tahanang Ito’ raises thorny questions and feelings about family. Three people orbit Kendra’s preferred definition of family, even if Kendra is forced to examine what it really means to keep a family close.
With a limited run until December 15, Repertory Philippines’ ‘Going Home to Christmas’ spotlights Paskong Pinoy and stories of homecoming.
The ending of Sandosenang Sapatos ultimately seals the show’s overall thesis: unconditional love can never be broken, no matter how many storms test its strength.
As a twin bill, ‘Emulsyon’ makes perfect sense of how both plays are centered on a mother and son and the impacts of the Martial Law era in the Philippines, but contrasting in the tone and how the characters grapple with their realities.
Ultimately, Nanay Bangis is a timely and thought-provoking adaptation that breathes new life into a Brechtian classic.
This December, Mad Child Productions proudly presents Nagkatuwaan Sa Tahanang Ito, a Guelan Varela-Luarca translation of This House Is For Laughing by Sam Walsh. Directed by the award winning and seven-time Palanca Awardee and Hall of Famer Guelan Varela-Luarca, this production offers a heartwarming and comedic reflection on family, loneliness, and labor—a perfect watch for the upcoming holiday season.
NEWS
PRESS RELEASES
LOCAL NEWS
LISTS FEATURES
Documentaries lingered in our hearts and minds. Short films from emergent talents stood tall. Here are the best Filipino films of 2024.
Ho ho ho! It’s Christmastime, cinephiles! In this special watchlist, the SINEGANG.ph staff selected their favorite Christmas movies or the movies they consider as holiday staples.
There are fears that rely on elaborately built sets and tension-building soundscapes, and there are those that sit quietly in their overwhelming presence. We’ve compiled a list of horror movies that do more than scare you.