‘Outside’ tries to carve out its own path, but in doing so, it loses touch with what makes the zombie genre resonate in the first place — primal survival and raw human emotions in collision with a world of viscera and chaos.

‘They Shot the Piano Player’ blends animation, history, and music into a tribute to Bossa Nova, with Jeff Goldblum guiding us through a journey that unravels the tragedy and mystery of Brazilian musician Tenório Jr.

After more than 40 years of rewrites, Francis Ford Coppola's psychedelic and captivating passion project is finally a reality. But at what cost must one keep reaching for the sun, when even the Godfather can't escape the pull of the ground?

‘Inshallah a Boy’ is a riveting portrait of a widow trying to keep her family afloat following her husband’s sudden death.

'Twilight of the Warriors: Walled In' captivates with its unabashed embrace of the fantastical myth-making and whimsical absurdities of a wuxia set in contemporary times.

'La Llegada' is a demanding watch due to its minimalist stylistic choices, which may alienate viewers, as the film’s commitment to realism and intimacy sometimes overshadows any cinematic flourishes.

‘Robot Dreams‘ poignantly captures the experience of bonding with someone special, forming a deep connection, and then enduring the pain of losing them and trying to move on is something most of us have felt.

After more than 40 years of rewrites, Francis Ford Coppola's psychedelic and captivating passion project is finally a reality. But at what cost must one keep reaching for the sun, when even the Godfather can't escape the pull of the ground?

‘His Three Daughters’ uses separation as its central theme and intertwines it with the phenomenon of how death brings families together. It’s consistent with its tone throughout the film, but its ending is its biggest weakness.

Unlike whimsical fairy tales where ‘happily ever after’ is tied neatly with a bow, 'The Amazing Maurice' unfolds a journey in between the gray areas of right and wrong.

Keith Deligero instills ‘Iskalawags’ with an unfiltered, sometimes vulgar, and humorous energy that remains playful and fun — an endearing quality that makes the film so charming and earnest

Transformers One offers an action-packed animated prequel about friendship, resilience, and betrayal that both fans and casual moviegoers will certainly appreciate.

‘The Substance’ is lightning in a bottle, the rare kind of film that exhibits and maintains a rip-roaring, viscera-spewing electricity that sizzles throughout its entire runtime.

Ang Panday’ is perhaps the best example that shows how little distinction there is between FPJ’s on-screen hero, who embodies humility, justice, and selflessness, and his off-screen persona, which made him a beloved figure of Philippine cinema.

It’s interesting to note that despite this having sporadic action scenes and being Saulnier’s least violent film to date, ‘Rebel Ridge’ remains a gripping thriller where the threats of violence had as much nail-biting tension as its eruption.

‘Beetlejuice Beetlejuice’ breezes through the usual tricks and charms of its talents. Nevertheless, seeing Tim Burton corral some career-rejuvenating fun in the age of belated sequel-itis still has its rewards.

‘Talahib,’ just like this film, is a blade of grass in a barren wasteland; it’s there, it exists, but it has no value.

Her Locket is nothing short of an effective family drama. Its message is universal, reminding us that our loved ones are all we have at the end of the day. #SinagMaynila2024

Brocka X Bernal is a love letter to the titular two legends of Philippine cinema, from the stars who loved them and for the generations after who might need a reintroduction.

Indonesian filmmaker Edwin concocts an atmospheric and absorbing crime thriller that invites us to investigate the bewildering and grisly details beyond the machinations of the plot.